Monday, March 30, 2015

3-30-15 Monday Mischief
2:03 PM

3-30-15 Monday Mischief



Art © Nouseforaname, All Rights Reserved - http://nouseforaname17x.deviantart.com/
Story © Brannon Hollingsworth, All Rights Reserved
Characters © F. Scott Fitzgerald, All Rights Reserved
Brought to you by Four Fools Press: “Crazy Good Stories”

AFTER two years I remember the rest of that day, and that night and the next day, only as an endless drill of police and photographers and newspaper men in and out of Gatsby's front door. A rope stretched across the main gate and a policeman by it kept out the curious, but little boys soon discovered that they could enter through my yard, and there were always a few of them clustered open-mouthed about the pool. Someone with a positive manner, perhaps a detective, used the expression "madman" as he bent over Wilson's body that afternoon, and the adventitious authority of his voice set the key for the newspaper reports next morning.

Most of those reports were a nightmare-grotesque, circumstantial, eager, and untrue. When Michaelis's testimony at the inquest brought to light Wilson's suspicions of his wife I thought the whole tale would shortly be served up in racy pasquinade-but Catherine, who might have said anything, didn't say a word. She showed a surprising amount of character about it too-looked at the coroner with determined eyes under that corrected brow of hers, and swore that her sister had never seen Gatsby, that her sister was completely happy with her husband, that her sister had been into no mischief whatever. She convinced herself of it, and cried into her handkerchief, as if the very suggestion was more than she could endure. So Wilson was reduced to a man "deranged by grief" in order that the case might remain in its simplist form. And it rested there.

But all this part of it seemed remote and unessential. I found myself on Gatsby's side, and alone. From the moment I telephoned news of the catastrophe to West Egg village, every surmise about him, and every practical question, was referred to me. At first I was surprised and confused; then, as he lay in his house and didn't move or breathe or speak, hour upon hour, it grew upon me that I was responsible, because no one else was interested-interested, I mean, with that intense personal interest to which every one has some vague right at the end. 

I called up Daisy half an hour after we found him, called her instinctively and without hesitation. But she and Tom had gone away early that afternoon, and taken baggage with them. 

"Left no address?" 

"No." 

"Say when they'd be back?" 

"No." 

"Any idea where they are? How I could reach them?" 

"I don't know. Can't say." 

I wanted to get somebody for him. I wanted to go into the room where he lay and reassure him: "I'll get somebody for you, Gatsby. Don't worry. Just trust me and I'll get somebody for you-"
Meyer Wolfshiem's name wasn't in the phone book. The butler gave me his office address on Broadway, and I called Information, but by the time I had the number it was long after five, and no one answered the phone. 

"Will you ring again?" 

"I've rung them three times." 

"It's very important." 

"Sorry. I'm afraid no one's there." 

I went back to the drawing-room and thought for an instant that they were chance visitors, all these official people who suddenly filled it. But, as they drew back the sheet and looked at Gatsby with unmoved eyes, his protest continued in my brain: "Look here, old sport, you've got to get somebody for me. You've got to try hard. I can't go through this alone." 

Some one started to ask me questions, but I broke away and going up-stairs looked hastily through the unlocked parts of his desk-he'd never told me definitely that his parents were dead. But there was nothing-only the picture of Dan Cody, a token of forgotten violence, staring down from the wall.
Next morning I sent the butler to New York with a letter to Wolfshiem, which asked for information and urged him to come out on the next train. That request seemed superfluous when I wrote it. I was sure he'd start when he saw the newspapers, just as I was sure there'd be a wire from Daisy before noon-but neither a wire nor Mr. Wolfshiem arrived; no one arrived except more police and photographers and newspaper men. When the butler brought back Wolfshiem's answer I began to have a feeling of defiance, of scornful solidarity between Gatsby and me against them all. 

Dear Mr. Carraway. This has been one of the most terrible shocks of my life to me I hardly can believe it that it is true at all. Such a mad act as that man did should make us all think. I cannot come down now as I am tied up in some very important business and cannot get mixed up in this thing now. If there is anything I can do a little later let me know in a letter by Edgar. I hardly know where I am when I hear about a thing like this and am completely knocked down and out. Yours truly MEYER WOLFSHIEM and then hasty addenda beneath: Let me know about the funeral etc do not know his family at all. 

When the phone rang that afternoon and Long Distance said Chicago was calling I thought this would be Daisy at last. But the connection came through as a man's voice, very thin and far away. 

"This is Slagle speaking. . ." 

"Yes?" The name was unfamiliar. 

"Hell of a note, isn't it? Get my wire?" 

"There haven't been any wires." 

"Young Parke's in trouble," he said rapidly. "They picked him up when he handed the bonds over the counter. They got a circular from New York giving 'em the numbers just five minutes before. What d'you know about that, hey? You never can tell in these hick towns-" 

"Hello!" I interrupted breathlessly. "Look here-this isn't Mr. Gatsby. Mr. Gatsby's dead."
 
It wasn't until that moment--the moment I heard my own spoken words--that I'd realized what I'd said.

'Mr. Gatsby's dead.'

He'd been dead all this time, in fact.

And yet, I'd been hearing him. Seeing him. Conversing with him.

Dead.

All the stuff I'd seen. Dear God, all the stuff I'd done.

'Mr. Gatsby's dead.'

There was a long silence on the other end of the wire, followed by an exclamation . . . then a quick squawk as the connection was broken.

***
Today's Monday Mischief is taken from the classic The Great Gatsby!


 
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